Video

For Brandon Stanton’s Dear New York (Oct 6–19, 2025), we cleared every ad in Grand Central, brought 50-foot projections to the Main Concourse columns, and synchronized 150+ screens through the terminal and subway. Commuters were surrounded by thousands of street portraits and stories.

I led the video team through those deliverables, wrangling 1,500+ video interviews, B-roll, timelapses and 150 TB of footage into a visual love letter to New York.

The boundary-breaking artist Meredith Monk overcame a hostile critical establishment to become one of the great innovators of her generation. In the midst of her latest creation, Indra's Net, Monk faces mortality: can such singular work be performed without her? Premiered at the 2025 Berlinale and currently screening at festivals worldwide. Learn more here.

The Broadway musical, staged at sea. Roald Dahl's Charlie and the Chocolate Factory headlines the Royal Theater on Legend of the Seas, the largest cruise ship in the world (beating last year's record by 4mm). We rolled her off the lot in Finland and she debuted in the Mediterranean in July 2026.

I filmed and animated video content for the production, helping bring Wonka's world of pure imagination to a Broadway-scale theater on the open ocean.

An intimate portrait of fashion pioneer Diane von Furstenberg, chronicling her journey from Holocaust survivor's daughter to princess to creator of a global brand. I developed a visual treatment to animate archival materials from Diane's personal scrapbooks, bringing decades of memories and press clippings to life while preserving their intimate, handcrafted quality. Opened the 2024 Tribeca Film Festival.

Doctor's Orders crashes into the wild world of motorcycle gangs - one that created an underground Oxycontin ring which spiraled into a murder-for-hire plot, all orchestrated by a wealthy husband who believed he was too powerful to get caught.

I provided around-the-clock technical support for 110th Street Films, coordinating ingest workflows for archival and shoot media, cutting stringouts, and managing additional assistant editors.

All three episodes are available to stream on discovery+ now.

Produced and operated livestreams that allowed socially distanced audiences to connect to the music of Meredith Monk. Through Zoom and Jamulus, we enabled Meredith and members of her Vocal Ensemble to perform together in the same virtual space.

See also: Duet Behavior 2020

Director: Hannah Rosenzweig

A short film that explores the emerging national issue of D.C. statehood from the personal perspective of one of its youngest Gen Z leaders. I designed the title sequence, poster, and graphics, using data visualizations to provide historical context. Premiered at DC/DOX and screened at DOC NYC.

Directors: David Roberts & Billy Shebar

A TCM documentary on the McCarthy era, told through two films and the men who made them: Elia Kazan's On the Waterfront (1954) and Carl Foreman's High Noon (1952), cut against each other in split screen, with John Turturro and Edward Norton voicing Kazan and Foreman. I conformed and finished the film for delivery. Official Selection at the 2022 Telluride Film Festival.

Produced livestreams and filmed performances of Ishmael Reed's plays, including The Slave who Loved Caviar (2021), The Conductor (2022-2023), and The Shine Challenge (2024-2025). Helped bring these productions to audiences both in-person and online during and after the pandemic.

Director: Mark Andrew Altschul

Naomi, Jojo and Arham grapple with economic divides, gender roles, and family dynamics while competing in the fastest growing high school sport in the country: women's wrestling. I designed graphics for the film, which screened at the 2025 Thessaloniki Documentary Festival.

Written by Lauren D'Errico

Stuck at home in the first months of the pandemic, Em tries to resist the Internet's siren call to keep scrolling, watching and browsing through all her waking hours. I co-directed and animated the film, and was technical director for the rest of the festival. Learn more here.

Development and production of Humans of New York: The Series from its inception in 2014 to its premiere on Facebook Watch in 2017. Importing and logging dailies, preparing offlines and B-roll sequences, and creating highlight reels.

The series was an Emmy nominee in the Outstanding New Approaches: Arts, Lifestyle, and Culture category.

Agency: BBDO

Paint, roto and compositing to digitally change the paint job of one car, since actual cars shot were identical. Added crowds, removed markers, tracked camera motion for set replacement.